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Inglourious Basterds (2009)
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DZ-120: Subtext is Overrated!
How do character goals, tactics, and fears create subtext automatically?
AI✦How do you write a scene where a character knows something crucial but can’t show it? Breaks down how Tarantino uses action lines and dramatic irony to let Shoshana’s terror--and silence--do all the work.✦
Listen if you're struggling to write subtext without it feeling forced!
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Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how… →
"Unlike Michael Clayton, he is doing a lot of work and he’s writing a lot of music in his action lines here."
— stu | DZ-120: Subtext is Overrated!
DZ-13: True That - Tips from Tarantino
What is it about Tarantino's *writing* that elevates his work?
Chapter 1: Of Milk and Men… →
Listen to steal Tarantino's technique for planting details that detonate as payoffs three scenes later.
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Chapter 1: Of Milk and Men… →
Films:
True Romance (1993)
, Inglourious Basterds (2009)
, Kill Bill: The Whole Bloody Affair (2011)
, Kill Bill: Vol. 1 (2003)
, Kill Bill: Vol. 2 (2004)
