In this two part series, Mel and Chas use Noir (the genre) as a lens to interrogate flawed characters. How can characters doing reprehensible things still engage audiences? How can you ensure representation isn’t endorsement? And whether these characters undergo transformative arcs, or simply reveal their true natures?
Part 1 (DZ-123) focuses on two (now classic) noirs: DOUBLE INDEMNITY and THE LONG GOODBYE.
While Part 2 (DZ-124) looks at two more contemporary examples DEVIL IN A BLUE DRESS and WOMAN OF THE HOUR.
Despite Chas claiming to have edited this episode it was, in fact, Chris Walker who saved the done and got this done by the end of 2025. Thanks Chris.
"The end of noir is often incredibly narratively unsatisfying. It’s untidy. It’s not a happy ending. Everybody loses. Everybody loses. If you get out alive, you have won. That is, I think, one of the things that differentiates a lot of noir and gangster film or whatever."
— Mel Killingsworth | DZ-123: Flawed Characters in Noir
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