In this episode, Chas and Stu continue their deep dive into how to write tone by examining films with “light” (we use the phrase loosely) tones: LADY BIRD, EMILY THE CRIMINAL, THE BALLAD OF BUSTER SCRUGGS, and SPONTANEOUS. We also talk a surprising amount about DUNE and CRAZY STUPID LOVE.
We focus on the relationship between character & tone and how the writers of these films use dramatisation to create their unique tones. We talk minimalism vs maximalism, dialogue, character actions & reactions, emotional dynamic range, and rules of the world vs given circumstances.
Stu proposes a new triangle to help us understand the dials we as writers have to affect tone:
- The given circumstances of the story,
- How that effects character actions & reactions,
- How the audience are told about those elements.
Thanks to Chris Walker for his excellent editing this episode.