Judith Weston
Guest"I think they’re both testing each other. I think, you know, Oppenheimer wants the job, but he knows that Groves wants somebody who will test him. They want the friction. They like the friction. They both work best with friction."
— Judith Weston | DZ-108: The Emotional Event with Judith Weston
2024
DZ-108: The Emotional Event with Judith Weston
How and why should every scene have an emotional event?
Listen to understand why a scene's power lives in what shifts between characters, not what happens to them.
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How and why should every scene have an emotional event?… →
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AI✦Judith Weston frames the emotional event as the core unit of scene work--a shift in the relationship between characters rather than plot advancement--and Chas, Stu, and Judith dissect how this concept lives on the page through close reading of scenes from Oppenheimer, Casino Royale, and Past Lives.✦
"it could be a change in power status and it could be a change in intimacy i mean those are two usual changes either it’s a change in intimacy they become more intimate or they become more estranged or a change of power relationship those are kind of the usual ways"
— Judith Weston | DZ-108: The Emotional Event with Judith Weston