Triangle of Sadness (2022)

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DZ-103: Game of the Scene 2 - Triangle of Sadness, The Favourite

How can games elevate dramatic scenes?

AI✦Analyses the third act’s social satire by tracking how Abigail shifts from secondary character to rule-maker, using her newfound authority to establish a hierarchy that reverses the ultra-wealthy characters’ dependence and competency.✦

⏱ 1h 42m

Character · Scenes | 1 OCT 2023

Listen to understand how games force characters to interact and reveal themselves (through competency, decisions, and rule-breaking)

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In part two of this two parter, Stu and Chas go further into the game (of the scene) and look at how games force characters other than the protagonist to interact. We deep dive into the wonderful social satires of TRIANGLE OF SADNESS and THE FAVOURITE… →

Films: Triangle of Sadness (2022) , The Favourite (2018)

Character: Character Agency , Secondary Characters , Tactics , Moral Complexity

Scenes: Game of the Scene , Scene Structure

"Well I was going to say that it isn’t competitive or combative I mean from the rules of the game like, If you put in the wind condition right neither of them actually thinks that they’re going to convince the other."

— chas | DZ-103: Game of the Scene 2 - Triangle of Sadness, The Favourite