The Island (2005)
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DZ-18: Michael Bay - F*ing the Frame and P*ing the Page
Are there screenwriting lessons to be taken from analysing the work of Michael f-ing Bay?
Of course there are. How could there not be? After all, Michael Bay is the 3rd highest grossing director at the worldwide box office… of all time. Behind, y’know, Spielberg and stuff. How could a man of such credentials not know story? Or, so argues this week’s guest: the author of MICHAEL F-ING BAY: THE UNHERALDED GENIUS IN MICHAEL BAY’S FILMS… [drumroll]… the Bitter Script Reader… →
Listen to understand how one of the world's highest-grossing directors structures story, makes great villians, controls information flow, and makes visual decisions on the page
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Of course there are. How could there not be? After all, Michael Bay is the 3rd highest grossing director at the worldwide box office… of all time. Behind, y’know, Spielberg and stuff. How could a man of such credentials not know story? Or, so argues this week’s guest: the author of MICHAEL F-ING BAY: THE UNHERALDED GENIUS IN MICHAEL BAY’S FILMS… [drumroll]… the Bitter Script Reader… →