§ RESOURCES / FILM INDEX
Game of Thrones (2011)
Featured In
DZ-58: Game of Thrones - Character Exposition
How can you let your characters tell us how they feel?
In watching Season 7 (and the first three episodes of Season 8) of Game of Thrones, Stu noticed that there were lots of scenes where characters either met for the first time or were reunited after a long time apart. In these scenes, the audience knows (or thinks they know) more than either character. And so the fascination, power and subversion comes from what the characters choose to reveal... or not… →
Listen to understand why what a character *doesn't* say reveals more than exposition ever could.
▶ More Info
In watching Season 7 (and the first three episodes of Season 8) of Game of Thrones, Stu noticed that there were lots of scenes where characters either met for the first time or were reunited after a long time apart. In these scenes, the audience knows (or thinks they know) more than either character. And so the fascination, power and subversion comes from what the characters choose to reveal... or not… →
Films:
Game of Thrones (2011)
Shows:
Game of Thrones
DZ-41: Theme and Worldview
How can your characters' worldview dramatise your theme?
In this episode, Stu and Chas tackle one of the more esoteric topics in screenwriting (and writing in general): theme! To help us tackle this topic, we decided to look at television pilots, because we felt that television requires the theme to be more explicit. Our zig-zagging (and long) discussion covers thematic engines, music themes, thematic loglines, punishment vs reward, and - perhaps most of all - the worldview of characters… →
Listen if theme feels abstract - we talk how how to make it visible through what characters believe.
▶ More Info
In this episode, Stu and Chas tackle one of the more esoteric topics in screenwriting (and writing in general): theme! To help us tackle this topic, we decided to look at television pilots, because we felt that television requires the theme to be more explicit. Our zig-zagging (and long) discussion covers thematic engines, music themes, thematic loglines, punishment vs reward, and - perhaps most of all - the worldview of characters… →
Films:
House of Cards (2013)
, Crazy Ex-Girlfriend (2015)
, True Detective (2014)
, Transparent (2014)
, Fargo (2014)
, Game of Thrones (2011)
, BoJack Horseman (2014)
, Six Feet Under (2001)
Shows:
House of Cards 1x1
, Crazy Ex-Girlfriend 1x1
, True Detective 1x1
, Transparent 1x1
, Fargo 1x1
, Game of Thrones 1x1
, BoJack Horseman 1x1
, Six Feet Under 1x1
DZ-34: Game of Choices - Decision Making and Character Implications
How does the experience of a character's decision impact our feelings towards that character?
After a spectacular end to Season 6 of GAME OF THRONES, Chas and Stu were struck by the very different portrayals of Sansa in Episode 9 - Battle of the Bastards and Cersei in Episode 10 - The Winds of Winter. Despite both characters having an enormous impact on the narrative, the audience’s experience of those characters is very different -- largely because Sansa is absent from 98% of Battle of the Bastards… →
▶ More Info
After a spectacular end to Season 6 of GAME OF THRONES, Chas and Stu were struck by the very different portrayals of Sansa in Episode 9 - Battle of the Bastards and Cersei in Episode 10 - The Winds of Winter. Despite both characters having an enormous impact on the narrative, the audience’s experience of those characters is very different -- largely because Sansa is absent from 98% of Battle of the Bastards… →
Films:
Game of Thrones (2011)
