Full Metal Jacket (1987)
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DZ-10: Midpoint Reversals and The Ride
How can the middle of your film pivot so much that it pulls the rug out of your audience?
Stu and Chas embark on the first of a series of explorations into the dreaded Second Act. Their first stop is midpoint reversals or shifts, a plot point bang in the middle of ACT II that changes the protagonist’s goal, raises the stakes and potentially leaves your audience leaning forward and asking “How the hell is this going to end?&rdquo… →
Listen when your second act sags and you need a structural jolt to accelerate audience engagement.
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Stu and Chas embark on the first of a series of explorations into the dreaded Second Act. Their first stop is midpoint reversals or shifts, a plot point bang in the middle of ACT II that changes the protagonist’s goal, raises the stakes and potentially leaves your audience leaning forward and asking “How the hell is this going to end?&rdquo… →
Films:
Death at a Funeral (2007)
, Prisoners (2013)
, Short Term 12 (2013)
, Alien (1979)
, Aliens (1986)
, The Bourne Supremacy (2004)
, Full Metal Jacket (1987)
, Philomena (2013)
, How I Live Now (2013)
, Elysium (2013)
, Die Hard (1988)
, Star Wars (1977)