↓ Skip to main content
DRAFT ZERO
§ RESOURCES / TOPICS / Oners

Oners

Every episode covering Oners.

"I want to reiterate your point that we’ve chosen three examples where the one or the feeling that the one it gives in each of these examples is a has a narrative purpose to it."

— Chas Fisher  |  DZ-101: Oners - Creating Immediacy & Anchoring Action on the Page

Start here

DZ-101: Oners - Creating Immediacy & Anchoring Action on the Page

What can we learn by analysing how 'oners' are written on the page?
AI✦The entire episode is built around understanding how screenwriters write oners on the page--using the Copacabana shot, the Tintin chase, and the Children of Men attack to show how continuous takes are constructed through word choice and action description.✦
⏱ 1h 23m
3 JUL 2023
Listen to understand how screenwriters direct the camera without calling shots.
▶ More Info
Chas, Stu and Mel reunite to talk about writing the feel of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more… →

Even More

DZ-118: ADOLESCENCE -- How Questions Create Dramatic Tension

How do dramatic questions create tension?
AI✦Chas and Stu analyze how the decision to shoot in a oner constrains and clarifies the writing: it forces real-time character experience, demands careful handovers between POV characters, and prevents the spectacle-driven distractions that would undermine emotional discovery.✦
⏱ 2h 0m
1 MAY 2025
Listen when you need tension without external stakes--subtext, stillness, and thematic weight do the work.
▶ More Info
In this episode, Stu and Chas delve into the cultural phenomenon of ADOLESCENCE. We try to find the craft tools that have made the show so compelling and such a catalyst for conversation… →