Exposition

In Draft Zero’s first two part episode, Stu & Chas take an in-depth look at one of screenwriting’s most common challenges: EXPOSITION. For many stories there are pre-existing facts that need to be communicated to the audience — whether those facts be about the rules of the world, the nature of a location, character motivations, character backstories or just character names. So how have great writers made exposition move the story forward, rather than stopping it to tell the audience stuff they need to know… →

Films: Pirates of the Caribbean: The Curse of the Black Pearl (2003) , Short Term 12 (2013) , Inside Out (2015) , The World's End (2013) , The Big Short (2015) , It Follows (2015) , Jurassic Park (1993) , Jurassic World (2015)

In the second part of Draft Zero’s two-part episode on “Exposition”, Stu & Chas take an even deeper look at this notoriously challenging part of screenwriting. For many stories there are pre-existing facts (or given circumstances) that need to be communicated to an audience, and often we rely on dialogue to do it. But exposition can do more than just communicate, it can serve as dramatic revelation that twists a story into a new direction or provides an emotional payoff - or both!. So how do great writers make exposition work for the story, rather than just tell audience stuff they need to know? And how can writers go wrong… →

Films: Gone Girl (2014) , Shutter Island (2010) , Ghostbusters (2016) , The Matrix (1999) , The Matrix Reloaded (2003) , Captain America: The Winter Soldier (2014)

In this final podcast release of last year’s run of LiveSoLation episodes, Chas and Stu are joined by Uber-geek Mel Killingsworth (who else?) in an epic exploration of how Dave Gibbons’ and Alan Moore’s seminal graphic novel WATCHMEN is adapted differently in Zack Snyder’s 2009 film and Damon Lindelof’s 2019 HBO television show… →

Films: Watchmen (2009) , Watchmen (2019)

Shows: Watchmen

In watching Season 7 (and the first three episodes of Season 8) of Game of Thrones, Stu noticed that there were lots of scenes where characters either met for the first time or were reunited after a long time apart. In these scenes, the audience knows (or thinks they know) more than either character. And so the fascination, power and subversion comes from what the characters choose to reveal... or not… →

Films: Game of Thrones (2011)

Shows: Game of Thrones

In our most epic/longest episode yet, Chas and Stu tackle world building in films. Specifically, how the rules make something a world and not just a setting. Starting with world-centric genres like sci-fi and fantasy, we also cover horror, crime drama and - er - “other”. We discuss a variety of techniques for setting up the rules of the world, including cold opens, voiceover, title cards and outsider characters! We’ve limited ourselves to the opening 3-5 pages... mostly... because (so the theory goes) they’re the pages that teach the audience how to read/watch your story/film… →

Films: The Matrix (1999) , Inception (2010) , The Lord of the Rings: The Fellowship of the Ring (2001) , Jurassic Park (1993) , Pan's Labyrinth (2006)

First Acts are hard. They have to set so much in motion, especially setting up characters. To help them understand how to write effective first acts better, Stu and Chas turn their analytical gaze to a franchise that has been refining and reiterating its first act “schema” for over a decade... THE MARVEL CINEMATIC UNIVERSE… →

Films: Iron Man (2008) , Guardians of the Galaxy (2014) , Doctor Strange (2016)

In another backmatter-only episode, Stu & Chas zig-zag through a range of topics. We talk about Chas’ experience(s) hitting both Los Angeles and the Austin Film Festival, effective networking, career capital, the art of receiving feedback, and Stu’s harsh Three Strikes Rule. We look back at the most important lessons we’ve learned about storytelling in 2016 and that leads us to talk about character choices in a little-known and little-talked about film called ROGUE ONE… →

Films: Rogue One: A Star Wars Story (2016)

What are the different ways a filmmaker can ask something of the audience… →

Films: Fight Club (1999) , Fleabag (2016) , The Big Short (2015) , F for Fake (1973) , Star Wars (1977)