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Collaboration
Every episode covering Collaboration.
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DZ-26: Horror and Collaboration- Wolf Creek 2
How does a screenwriter collaborate with a director on an existing property?
AI✦Aaron Sterns walks through the specific mechanics of co-writing WOLF CREEK 2 with director Greg McLean, and Chas and Stu use the backmatter to detail their own methods for collaborating with other writers and directors.✦
Listen if you're co-writing and need to figure out where your voice ends and your collaborator's begins.
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In this halloween special, Chas (sans Stu) is joined by a very special guest... Aaron Sterns the co-writer of WOLF CREEK 2 -- the big budget sequel to the infamous WOLF CREEK, also directed by Greg McLean. Chas and Aaron talk horror, anti-horror, collaboration, novels and how a screenwriter works within an existing franchise… →
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DZ-77: Backmatter - Prioritising and choosing projects
How do you choose which project to start next?
AI✦Beginning a new co-writing relationship is explicitly flagged in the listen-if, and Stu and Chas offer subjective opinions on how to navigate that partnership.✦
Listen if you're starting a new co-writing relationship, managing multiple projects, or wondering how to prioritize your next screenplay.
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In their now-annual full backmatter episode, Stu and Chas let their hair down, drop the guise of objectivity, and allow themselves to have an even more subjective opinion about writing and the business of writing… →
Shows:
The Mandalorian 2x1

DZ-65: Collaborating with a Director - The Snip
HOw does a writer work with a director (on a short film?)
AI✦Chas and Ben walk through the specific mechanics of a writer-director partnership, from pitch through production, showing how creative decisions get negotiated between the page and the set.✦
Listen if you are thinking of producing your own short film!
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This episode, Chas steps down as co-host (kinda) and is interviewed by Stu as a guest, alongside director Ben Mizzi, about the short rom-com that Chas wrote and Ben directed & produced. The episode covers taking an idea from pitch to screen, working with a director, directing performance on the page, and marketing and distribution strategies for short films… →

DZ-39: Backmatter - Hitting LA, Receiving Feedback, and a Roguish One
How can writers make use of their time when hitting LA?
AI✦The discussion of networking and receiving feedback frames screenwriting as a collaborative endeavor where building relationships directly impacts your work and career trajectory.✦
Listen if you're about to network at a festival and have no idea what writers actually do with their time there.
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In another backmatter-only episode, Stu & Chas zig-zag through a range of topics. We talk about Chas’ experience(s) hitting both Los Angeles and the Austin Film Festival, effective networking, career capital, the art of receiving feedback, and Stu’s harsh Three Strikes Rule. We look back at the most important lessons we’ve learned about storytelling in 2016 and that leads us to talk about character choices in a little-known and little-talked about film called ROGUE ONE… →

DZ-23: LIVE - Starting A Career In Film And Television
Are you a filmmaker but not sure how to start your career?
AI✦The backmatter focuses specifically on how emerging writers should approach directors to get their scripts made, centering the collaborative relationship as essential to breaking in.✦
⏱ 1h 45m
6 JUL 2015
Listen if you're an emerging filmmaker looking to break into the industry
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Draft Zero was invited to moderate a panel as part of the 2015 St Kilda Film Festival. In our very first live episode, we are joined by TV Writer Mithila Gupta (Winners and Losers), Director Corrie Chen (Reg Makes Contact) and Producer/Executive Simon de Bruyn (*Acquisitions Executive, XYZ Films *and Producer) to talk about ‘breaking in’, how it has changed, the different approaches, opportunities and challenges. They share their tips on networking effectively, setting up an online presence, persevering through doubt and getting relevant experience… →

DZ-12: Craft, Career and Coffins
It's the The Podcast You Used To Know…
AI✦The episode centers on how Chas and Natasha discuss the collaborative process across screenwriting, directing, and performing--three disciplines that require different kinds of teamwork.✦
Listen if you're navigating multiple creative disciplines and wondering how to build a sustainable career across them.
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Well, half of us is... Chas (sans Stu) is joined by a very special guest - Natasha Pincus. As a screenwriter, Tash’s feature CLIVE was on the 2012 Black List. As a director, her music video for Goyte’s Someone I Used To Know was nominated for an MTV Music Video Award. And at the time of this recording, her debut feature as a screenwriter FELL was weeks away from opening night… →
Films:
Fell (2014)

DZ-7: On Rewriting - How much Bull is left in the Hustle?
What can be gleamed from the substantial rewrite of a famed spec?
AI✦With both Singer and O’Russell credited on HUSTLE, Stu and Chas unpack how two writers’ visions merged--and sometimes diverged--through the rewriting process.✦
Listen to learn how impactful rewriting can be.
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Stu and Chas look at AMERICAN BULLSHIT (the 2010 Black List spec script by Eric Warren Singer) and the film it became… AMERICAN HUSTLE (co-written and directed by David O’Russell), which garnered 10 Oscar nominations in 2014… →
Films:
American Hustle (2013)

DZ-86: Backmatter - Minimum Viable Product
How do you determine what is your MVP?
AI✦Their insights on running a writers workshop and group reveal how collaborative practice shapes individual craft and creative development.✦
Listen for screenwriting lessons from 2021, strategies for pitching projects, and insights on running a writers workshop
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In their annual full backwater episode, Stu and Chas let out their pandemic hair, drop the ruse of objectivity, and allow themselves to have even more options about writing and the business of writing… →
Films:
Die Hard (1988)

DZ-57: Backmatter - Aesthetics and Forgiveness in Writing
How can you best articulate your ideas?
AI✦The semi-annual Backmatter format itself is a collaborative reflection between Stu and Chas, modeling how screenwriters process their own growth through dialogue with peers.✦
Listen if you need to forgive yourself (for not writing)
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It is time (in fact, well past time) for our semi-annual #Backmatter episode. For the uninitiated, this is an episode where Stu and Chas discuss career and craft-related topics beyond what makes great screenplays work. To that end, Stu and Chas dive into: a five year review of Draft Zero and how it has changed their writing craft and process; a discussion on the aesthetics of writing; learnings for emerging writers in having their work produced; and finally forgiving yourself for not writing… →

DZ-17: Where's my gold-plated ensuite?
When you're an emerging filmmaker, what are different ways to tackle a "career"?
AI✦The episode itself demonstrates the value of two screenwriters thinking through craft questions together, setting a model for how emerging filmmakers might benefit from sustained creative partnership.✦
Listen when you're deciding between shorts, features, and web content--and need to know which format actually builds a sustainable creative practice.
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It’s our Holiday Special! In this episode (recorded December 2014), Chas and Stu break all the rules. No homework. No pages. No empirical analysis. They reluctantly but boldly reflect over the first year of Draft Zero and how it has influenced their ‘careers’ (such as they are). They also engage in a heated debate on whether a short film, a micro-budget feature or web-based content is the best way to go in terms of pushing a filmmaking career forward… →

DZ-81: Pitch Decks & Look Books - Development Tools 4
How do you make effective pitch decks and look books for your projects?
AI✦Marc brings multi-hyphenate experience as a writer/director/producer, and the episode addresses how different creative roles approach building pitch materials.✦
Listen if you're preparing to pitch a project and want to understand how to create compelling visual materials
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Chas and Stu are joined by writer/director/producer/multi-hyphenate Marc Furmie of Rezistor Studios to talk all things pitch decks and look books. Coming from an advertising and music video background, Marc shares his experience in putting together visual materials to pitch a project. We discuss the difference between pitch decks and lookbooks, how they help you sell your projects, what buyers are looking for, television vs features, and how do we make yours better… →

DZ-47: Backmatter - A Lost Jedi, White Knighting, and Writers-On-Set
Will Director Stu allow Writer Chas on his set?
AI✦The episode’s framing question about whether Chas should come on Stu’s set gets at fundamental issues of working relationships, trust, and creative partnership.✦
Listen to understand how consequences (not intentions) impact whether an audience roots for or against your protagonist.
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Following our annual wrap up in 2017, we’ve decided to once again explore what craft issues/lessons we can garner from the latest Stars, namely Episode VIII: The Last Jedi, focusing on how consequences of character actions can do a lot of heavy lifting as to how the audience perceives that character (as well as looking at worldview and overall story structure)… →
